Joe wants to maintain control over his life, while Norma is determined to own Joe body and soul. I just want to work again. No matter how many stories he pumps out, they’ll always be inferior because of his cynical attitude. Directed by Billy Wilder. When DeMille reinforces her false belief, Norma locks onto it with a vengeance, working herself into a frenzy as she gets ready to face the cameras at age fifty. Joe’s worried because he hasn’t written for a studio in months. [. Unlike most of the analysis found here—which simply lists the unique individual story appreciations—this in-depth study details the actual encoding for each structural item. She’s written a horrible movie script, hoping to star in it and make a glorious comeback. Joe’s hopes for a future with Betty are destroyed when he discovers that Norma has tainted their relationship with harassing phone calls. Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. Joe’s frustrated when Norma refuses to have her card game interrupted while at that very moment his car is towed away by the finance men. Buy Study Guide. His denial of everything he senses prevents her from knowing the truth and dealing with it. Betty does everything she can to get Joe to develop his story with her, then she tries to convince him to leave Norma and come away with her until he makes her believe that he’s a lost cause. [. The objective characters do not use good ideas as steps to achieve their goals:  Instead of getting a steady day job to support himself until his writing career is established, Joe hawks second-rate stories, and ends up dependent upon Norma to live; Norma’s idea to relaunch her career by starring in an expensive epic doesn’t have a chance to succeed; Betty’s idea to work with Joe when she doesn’t even know how to contact him is bound to be problematic; Max’s idea to shield Norma with lies indefinitely is impossible to achieve. When Norma offers him the chance to make some money, pay his bills, and continue his efforts to sell his scripts, he accepts. (Angles? Norma hires Joe Gillis to edit her screenplay so she can send it to Cecil B. DeMille, and get back into the movies. NORMA:  I know that trick! That’s what makes one a star. You weren’t here. I don’t care what it takes. But he quickly becomes dissatisfied with the job and annoyed with Norma. . . When that fails he implements a plan to inflate his pay rate, do a quick rewrite on Norma’s script, and pay off his debts. Norma’s suspicious nature undermines Joe’s efforts to become financially independent of her and have the woman he loves. . Joe walks out on Norma, so she decides if she can’t have him, no-one else will. .] Visual devices were used in the film, for example the red shoes that were shown . . . And, each person may have their own respective reasons as to why this film holds a special place in the minds and heart of those who love cinematic art. He feels defeated when he fails to sell “Bases Loaded” to Sheldrake, or to raise money for his car payments. What are your expectations about what the film will be like at this point? Betty knows she’ll never be a movie star, but she’s certain she can be a great scriptwriter; she pursues Joe to help her get established. Forgotten star a slayer. Norma comprehends the meaning of Joe’s protests: What is it you want—money? Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of “talkies.” Her glamour has faded in all but her mind. .! NORMA:  You heard him. . and hides his car in Norma’s garage; when he’s offered the chance of a job, Joe grabs it, embellishing on his experience and pay rate; when Norma comes on too strong on New Year’s Eve, Joe leaves her house, hitches a ride, and finds people his own age to party with; when he discovers that Norma is harassing Betty, he takes charge of the situation, tells Betty to come see him, then tells her the truth. A timeless example of non-linear storytelling carrying a film would be the graphic novel to screen adaptation of Frank Miller’s Sin City. Max loves Norma so much he lets her treat him like a servant, supporting her fantasy for so long that she feels justified to enslave Joe, and arrive on the Paramount lot as if she were a queen. Joe knows that he has nothing to offer Betty and tells her how he’s been living. . Do you mind, Mr. DeMille, if I say a few words [. You see, I was her first husband. But he keeps pounding out the same old material, “two a week” anyway. . Joe understands how a job working on Norma’s script can solve his problems: Caught in a desperate situation that many struggling screen writers find themselves in, Joe comes up with ideas to score some quick cash from Sheldrake, his agent, and his friends. What mood/tone is set in the first few minutes? In the film Sunset Boulevard many character struggled with wishes, lies and dreams of fame and fortune. Don’t you know that? Since then several literary texts have been filmed, and this process has become a popular phenomenon now. A. O. Scott looks back at Billy Wilder's classic meditation on celebrity and Hollywood. [. NORMA:  It’s yours, Joe. . The objective characters focus on their abilities to achieve success in Hollywood. There was a maharaja who came all the way from India to beg for one of her silk stockings. So they opened their big mouths, and out came talk, talk, talk. .] This scene was particularly interesting since there was major use of jump cuts and other techniques used in French New Wave. NORMA:  Now what is it? Additionally, as this is a historical film, historical context will be compared as well. . . GILLIS:  Maybe DeMille is shooting. How? . Norma pauses at the top of the stairs: For one moment Norma acknowledges the truth about her age and her fears. At her private New Year’s Eve party she announces her plans for the two of them. I got myself a revolver. Joe might have inferred that if he only wrote a couple B movies so far, and his present work isn’t any good, there’s a probability that he won’t be the hot writer he intended. I’ll be up there again. GILLIS:  And I’d take it in a second, Norma—only it’s a little too dressy for sitting behind the copy desk in Dayton, Ohio. Each aspect of the movie was represented well, and the overall outcome of the movie was outstanding. 9 frame analysis sunset boulevard 1. GILLIS:  Sure you are. Billy Wilder. You must understand I discovered her when she was eighteen. GILLIS:  The rest of the jewelry is in the top drawer. [. What fun we’re going to have. Norma refuses to accept the true meaning of this. Sunset Boulevard Sequence Analysis: Norma Desmond’s Final Scene June 26, 2019 by Essay Writer In Billy Wilder’s 1950 film Sunset Boulevard, Gloria Swanson plays a former silent film star named Norma Desmond who lives as a wealthy recluse in order to protect herself from the truth of her irrelevance in the public eye. Specifically, I will be comparing the following factors; Plot, music, and casting. As the story progresses Norma considers more ways to regain her stardom:  Knowing how popular biblical epics are, she contemplates using the epic story of Salome as a vehicle for her comeback; realizing the impact her presence makes, she arrives in the flesh at Paramount to get a commitment from DeMille to direct her picture. An example of how the objective characters use projection to solve the story problem is illustrated in the minor character of Cecil B. DeMille:  He allows Norma to continue to believe the calls from the studio were because he loved her script and wants to direct her in another picture. Music in this film matches genre peculiarities of film and helps to point out the most important moments in the film. He learns that losing his only means of transportation and independence means nothing to Norma. We had faces. The only other person besides Norma living at the mansion is Norma's valet, Max, whose unofficial job is to prime Norma's fragile but larger than life ego. Norma’s memories of her stardom and the adulation that went with it, drives her obsession to resurrect her acting career. She is dressed in black house pajamas and black high-heeled pumps. NORMA:  No one leaves a star. Joe tries to sell his story ideas so he can get studio work. . NORMA:  Will you pardon me, gentlemen. a musical in 2 acts, 21 scenes: Libretto by Don Black and Christopher Hampton; based on the film and screenplay Sunset Boulevard by Billy Wilder: Music by Andrew Lloyd Webber. . Joe, recently murdered and floating in a swimming pool, wants everyone to know the chain of events leading up to his death. Composition? She relies upon astrology to ensure that a partnership with Joe will be successful, and to predict the best time to send DeMille her script. After Louis Bloom witnesses how stringers are filming a car wreck for the news broadcast, he decides that this career is just for him. 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